In Hacking the Humanities, I created a data visualization of which Marvel character was visualized most often by cover artists behind Chris Claremont’s Issues #200 – #249 of the Uncanny X-Men comics, and who among those artists was the most active in visualizing them. It was my first “big” DGAH project, so the designs wasn’t the best, but it was one of the key key projects that sparked my interest in digital humanities rather than focusing on pure programming and math.

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